TIFF 2024: Hunt or Be Hunted
(Jason Reitman’s Saturday Night, Ali Abbasi’s The Apprentice, Andrew DeYoung’s Friendship)
MUBI Notebook SEPTEMBER 2024
Before and After the Contest: Wraparound Sportscasting through the Ages
MUBI Notebook AUGUST 2024
Event Horizon: AI Homer and the Year in Artificial Intelligence
Reverse Shot JANUARY 2024
NYFF 2023: Deborah Stratman’s Last Things
Reverse Shot OCTOBER 2023
Personal Spaces: The Films of Rhayne Vermette
Metrograph OCTOBER 2023
Revisiting Recess: School’s Out
Reverse Shot SEPTEMBER 2023
Toronto International Film Festival, 2023
MUBI Notebook SEPTEMBER 2023
Interview: Paula Beer
MUBI Notebook JULY 2023
Interview: Helena Wittmann
Metrograph APRIL 2023
Event Horizon: The “Total Experience” of 80 for Brady
Reverse Shot MARCH 2023
Chloe Abrahams’s The Taste of Mango
Reverse Shot MARCH 2023
“Two Cents”: On John C. Reilly in Claire Denis’s Stars at Noon
Reverse Shot JANUARY 2023
Typical Girls: Joanna Hogg’s Caprice
Metrograph DECEMBER 2022
Alfred Hitchcock’s Frenzy
Reverse Shot OCTOBER 2022
Ruben Östlund’s Triangle of Sadness
Film Comment OCTOBER 2022
TIFF 2022: Vera Drew’s The People’s Joker, Hong Sang-soo’s Walk Up
MUBI Notebook SEPTEMBER 2022
TIFF 2022: Moyra Davey’s Horse Opera, Daniel Goldhaber’s How to Blow Up a Pipeline, Kurt Walker’s I Thought the World of You
MUBI Notebook SEPTEMBER 2022
Summer of ’81: David Cronenberg’s Scanners
Reverse Shot SEPTEMBER 2022
David Easteal’s The Plains
Cinema Scope JULY 2022
Interview: Ricky D’Ambrose on The Cathedral
Screen Slate APRIL 2022
Event Horizon: On Deepfakes
Reverse Shot MARCH 2022
Edwin’s Vengeance Is Mine, All Others Pay Cash
Reverse Shot MARCH 2022
Inside the First Annual Boss Baby Symposium
Vulture JANUARY 2022
Sundance Shorts Dispatch
Film Comment JANUARY 2022
“Two Cents”: Capsules on 2021 Music Documentaries and Edgar Wright’s The Sparks Brothers
Reverse Shot JANUARY 2022
Cosmic Contrasts: Jóhann Jóhannsson’s Film Scores
Metrograph DECEMBER 2021
The Tim, Jeremy, and Rajat Experience
Vulture DECEMBER 2021
Event Horizon: TikTok and Infinite Duets
Reverse Shot NOVEMBER 2021
Jane Campion’s The Power of the Dog
Paris Theater Notebook NOVEMBER 2021
Charles Atlas’s Hail the New Puritan
Film Comment NOVEMBER 2021
Damon Packard’s Fatal Pulse
Bloodvine OCTOBER 2021
Herk Harvey’s Carnival of Souls
Reverse Shot OCTOBER 2021
Interview: Jena Friedman on Indefensible
Vulture OCTOBER 2021
Todd Haynes’s The Velvet Underground
Reverse Shot OCTOBER 2021
Joanna Hogg’s The Souvenir: Part II
Reverse Shot OCTOBER 2021
New York Film Festival 2021 (Dispatch, Review of Ramon and Silvan Zürcher’s The Girl and the Spider)
Screen Slate SEPTEMBER 2021
Event Horizon: Amalia Ulman’s Multi-Platform Multiverse
Reverse Shot SEPTEMBER 2021
James Vaughan’s Friends and Strangers
Cinema Scope SEPTEMBER 2021
Amit Desai on Cross Eyed
Reverse Shot AUGUST 2021
Interview: Laurie Anderson
Metrograph MAY 2021
Event Horizon: The Aesthetics of Cope in Pandemic-Era Entertainment
Reverse Shot MAY 2021
See Into the Trees: Blu-ray Essay for Albert Serra’s Liberté
Cinema Guild APRIL 2021
When the Stars Align: Stanley Kwan’s Center Stage
Metrograph MARCH 2021
Jacob Ciocci and Extreme Animals’ The Urgency
Electronic Arts Intermix MARCH 2021
Sion Sono’s Red Post on Escher Street
Berlinale Critics’ Week FEBRUARY 2021
Teboho Edkins's Days of Cannibalism
Cinema Scope FEBRUARY 2021 (PRINT ONLY)
Debt to Nature: Valentyn Vasyanovych's Atlantis
Metrograph JANUARY 2021
New Directors/New Films 2020
Screen Slate DECEMBER 2020
Event Horizon: Quibi and the Narrative Underground
Reverse Shot NOVEMBER 2020
Tim Heidecker: The Poet Laureate of Delusional Assholes
Vulture OCTOBER 2020
Frank Henenlotter’s Brain Damage
Reverse Shot OCTOBER 2020
New York Film Festival 2020 (Part 1, Part 2, Part 3)
Screen Slate OCTOBER 2020
Event Horizon: Conner O'Malley, The Weird and the Normal
Reverse Shot AUGUST 2020
Beyond Words: John Skoog’s Ridge
Reverse Shot MAY 2020
On the Internet: Ten-Hour YouTube
Screen Slate MAY 2020
Kitty Green’s The Assistant
Cinema Scope APRIL 2020 (PRINT ONLY)
Connected: Defending Your Life + The Lusty Men
Reverse Shot APRIL 2020
The Unexpected: True/False Film Festival 2020
Reverse Shot MARCH 2020
Multiple Choice: Eliza Hittman’s Never Rarely Sometimes Always
Reverse Shot MARCH 2020
Best of the Decade: Leos Carax’s Holy Motors
Reverse Shot FEBRUARY 2020
Céline Sciamma’s Portrait of a Lady on Fire
Cinema Scope JANUARY 2020
Partly Truth, Partly Fiction: 2019 Cinema Revisits the Manson Family
The Los Angeles Review of Books NOVEMBER 2019
Traces, Places: Angela Schanelec’s I Was at Home, But…
Reverse Shot OCTOBER 2019
Beyond the Canon: Claudia Weill’s Girlfriends and John Cassavetes’s Husbands
BAM Film OCTOBER 2019
Leaving a Trace: Juliette Binoche in Olivier Assayas’s Summer Hours
Reverse Shot JULY 2019
Interview: Mark Jenkin
Film Comment MARCH 2019
Body Politic: Eliza Hittman’s Beach Rats
Reverse Shot OCTOBER 2018
Day of Rest: Jim McKay’s En el Séptimo Día
Reverse Shot JUNE 2018
Review: Andrew Haigh’s Lean on Pete
Film Comment MARCH 2018
Leonard Cohen at the Musée d’art contemporain de Montréal
The Los Angeles Review of Books JANUARY 2018
David Cronenberg’s Dead Ringers
Reverse Shot OCTOBER 2017
Winter Sleeper: Sergei Loznitsa’s A Gentle Creature
Reverse Shot OCTOBER 2017
Interview: William Oldroyd
Film Comment JULY 2017
Interview: Emily Armstrong & Pat Ivers, Go Nightclubbing!
Screen Slate JULY 2017
Glenn O’Brien’s TV Party and Digital Grief
Guernica JUNE 2017
Interview: Chloé Robichaud
Film Comment MARCH 2017
Interview: Amat Escalante
Film Comment FEBRUARY 2017
